
cary tennis is an advice columnist for salon.com. I probably stumbled onto him one night while seeking advice. that's something I would do, seek advice on the internet.
but he isn't, of course, the average advice columnist. I cannot do him any justice with any words of my own. so I'm pasting some things he wrote. I found these responses to be so moving that it inspired me to write a song. the only other time I've written a song is when I was missing my younger son very much. after I wrote the song, I sent it to cary tennis and he wrote back. that's here, too.
That's a lot of questions for one advice guy. Lemme see what I can do for you. First off, if men knew how deeply rooted women's insecurities about their bodies are, and if they understood the political complications of it -- how our dominion is served by your insecurity, the whole deep historic psychological domination of women, our sick splitness, our divided mothering, our gun thing, our brittle coldness, how we dream of Andrea Dworkin in a Miss America swimsuit darkening our picture tubes, how feminism saved many men from eating their own flesh, if men understood how bloody their wishes really are and how much they frighten the children and horses not to mention the women, if men knew the kind of gulag they've created ... but I'm babbling like a fool. What I'm saying in plain language is that yes, body image is a big deal, and it helps to have some political and psychological grounding for understanding why you're so afraid of revealing yourself and of being judged. The whole male gaze thing. Screw it. Take up arms against it. It's your gulag.
But feminism will get you nowhwere if you pretend you're living in
a world of ideas. You're living in a world of
men's bodies. It's our bodies and their responses to your body
that fill you with doubt. So how do you get from a man's mental picture
of a 17-year-old cheerleader with thin hips and pointy tits kicking
her leg high in the air after a touchdown to your screaming night
as a bucking bronco under this cowboy at the next desk?
I don't think it's about waiting for him to superimpose his mental
picture of the cheerleader over your face. You have to break through
his billboard and wake him up. There is a place
where men and women meet that is so deep there are no billboards
anymore, there is just the desert sky and a scary howling that you're
not even sure is coming from you or him, it's so animal.
Yes, many men get hard over skinny hips and big tits. Big deal.
What you're after is the ideal, where physical love becomes this transcendent
thing, where a man is really loving the woman. Yes, her body, but
not just her body, in her body but not just in her body, the woman
but not just the woman -- the hair, the eyes, the sweat, the fold
of flesh, the memories, the voice, the idea of her, the person she
is, the things they've done, the wounds they've given, the food they've
eaten, the walks they've taken, like falling to their deaths the whole
thing flashes before them, and that's the ultimate thing, that's where
in that moment it would be so silly for him to think, gee, I wish
she weighed 3 pounds less, I wish I could see her hipbones, I wish
her ribs were showing, that would really turn me on. How absurd for
a man in love, so enraptured with this woman that loving her is the
same as loving his own life. Think how odd that would be. But then
the rush always wears off and he thinks I have to pay the parking
meter or whatever did happen to that one blue sock I used to like
so much ... but that's after the rush wears off. Your body didn't
prevent you from getting to that precious few moments near the sun.
How you get there, where you are lost to the world with your soul
mate, where you aren't even one person anymore exactly, but just this
exploded citizen of the sun, this bell set ringing by her blow, her
tap, her fist, her knock, when you're just this ancient eternal force
of life with no need even for an ego, who needs an ego when you're
already eternal, you've kicked off the shoes, you're a barefoot corpse
laughing at the autopsy, you're there, you've arrived in your sweetie's
arms and that's where you're staying even when they wheel you back
into your dark little chamber. Where am I going with this? What am
I saying? I'm saying that the mystery of attraction lies not in a
visit to the Size 5-7-9 Shop. There's something overwhelming out there
and it's not about your measurements. It's waiting for you. He might
have it in his house, who knows? It might be lying in his heart just
waiting for you. It might be hidden in an ironic laugh and a plate
of spaghetti. There might be a ring involved. There might be a ceremony
with lots of white. Or there might be a drunken misunderstanding,
a walk through a storm, tears washing down your face with the rain.
But it's not about the length of your femur and your percentage of
body fat. It's about this thing that happens between people when they
lose themselves.
Life is short. Maybe he's the one. Get some courage. Shake him up.
If he likes you and he's not doing anything about it, maybe he's sleepwalking.
Take his book away and see if he wakes up. Put a plate of food in
front of him and see if he eats. Roll him over and scratch his belly.
Find out what gives.
******
The expression you used, "I traded my youth for a mess of pottage,"
caught my eye, and I went and reread the story of Jacob and Esau in
the Book of Genesis. Esau, the firstborn, "was a cunning hunter,
a man of the field; and Jacob was a plain man, dwelling in tents."
One day Esau came in from the fields, faint with hunger. "And
Esau said to Jacob, Feed me, I pray thee, with that same red pottage;
for I am faint. ... And Jacob said, Sell me this day thy birthright.
And Esau said, Behold, I am at the point to die: and what profit shall
this birthright do to me? And Jacob said, Swear to me this day; and
he sware unto him: and he sold his birthright unto Jacob. Then Jacob
gave Esau bread and pottage of lentiles; and he did eat and drink,
and rose up, and went his way: thus Esau despised his birthright."
Fate was not kind to Esau, nor was it kind to you. Your hunger cost
you your birthright. You were starving for the world, so you tasted
of it, and your parents cast you out. Then your husband, who you thought
would be your rescuer, became your tormentor.
In truth, you weren't ready for the world's cruel justice. You were
just a child. You didn't know what you were doing. You weren't capable
of making the right choice. Your parents treated you with harsh, Old
Testament vengeance. They wronged you. They were supposed to come
to your rescue when you made bad choices. Instead they cast you out.
I'm not a Christian, but I'm all for New Testament
redemption and forgiveness. It seems to me, in a general sense, the
New Testament is all about getting a second shot, which is very American,
and, in particular, very West Coast. Behold California, the New Jerusalem!
This is not your parents' Old Testament world!
I came west to reinvent myself. You can too.
Walk down the street in San Francisco and all the crazies you see,
they aren't all that crazy; they're just under construction. They're
rebuilding themselves. They've torn out walls and redone foundations;
their roofs are open to the sky; their windows are open. They leak.
They creak. They lean. They need paint. But they're getting a second
chance. There's nothing more precious than that. Heaven knows, if
the world can offer you any mercy, it's the mercy of the second chance.
Besides, climb up Fillmore or Broadway to Pacific Heights and nose
around. Who are the swells, the gentry, the fortunate who live up
there? Are they the Calvinist elect, ordained by God? No, they're
the progeny of miners and brawlers, pimps and saloon girls, hustlers
and thieves and money lenders and whores, the grandchildren and great-grandchildren
of restless misfits and dreamers who came west to make their fortunes
in mining, timber and oil. They started out as crazies. Now they run
this town.
I asked my wife what she thought you should
do, and she said you should come to San Francisco and go to City College
or State, just like she and I did; these schools are full of people
starting over, the wounded, the struggling, the new beginners. That's
what we do when we free ourselves from bondage: We go to State; we
go to City. We get degrees. We get back on our feet. This is the land
of forgiveness; this is the land of starting over; this is where America's
promise comes true.It does sound like you're at a crossroads. But
if you're a creative type, you should probably start pricing houses
there. If you're a creative type, the crossroads is where you live.
Regular folks just drive on through the crossroads. They're going
somewhere smart and important. Creative types stop in the middle of
the intersection and say, gee, check it out, there's a lot of energy
here! The crossroads is where Robert Johnson met the devil, after
all. So get yourself a lawn chair and put it on the traffic island.
You're going to be there a while.
The ability to live at the crossroads is the key to creative endeavor.
I know you were only speaking metaphorically, and that you really
want to solve your romantic entanglements. Still, what I'm saying
is that you don't necessarily have to solve your entanglements; you
just have to learn to be who you are, do what you do, and live through
it with calm and focused integrity. You get what I'm saying? The reason
you want to do that is because what's really important is for you
to be doing your painting and your music.
It troubles me, however, that you call yourself a flaky creative type,
because it sounds like you're selling yourself short. It's possible
you're just flaky, but if you were just flaky, I don't think you'd
call yourself a flaky creative type. I think you'd probably just shut
up and drink. I think you may be genuinely creative but ashamed of
your inability to manage your affairs the way normal people do. If
so, you don't need to apologize. But you do need to accept your talents
and your limitations. You need to design your life accordingly. And
you need to get to work.
On that note: Do you need to surround yourself with wildly creative
people whose excited chatter fills you with a sense of endless possibility?
No, you don't. Is it a good idea for your mate to be just as wild-eyed
as you are? No, it's not. Don't fritter away your creativity in witty
conversation. You need to find that sense of endless possibility in
your work itself. I know what you're talking about, that sense that
with similarly imaginative people you feel you can soar. But all that
soaring doesn't get you anywhere. You land with empty pockets, just
like you started with. If you're a creative person, the only thing
that gets you anywhere is the work. And to do the work you need a
stable but stimulating environment. That's why you live at the crossroads.
You don't say much about your own feelings in all this. Again, if
you're a creative type, perhaps your focus is on finding some order
in the sounds and shapes that appear spontaneously in your mind. So
you might be a little retarded in the area of human relationships,
particularly relationships with women. If your girlfriend loves you
and understands you and is willing to take you back, it might be the
best thing for you. Creative, sensitive but emotionally unsophisticated
men get hurt easily in relationships; it's sometimes better to settle
down with someone you love, even if she doesn't always make your head
spin. Otherwise, you spend so much precious time just trying to get
comfortable emotionally that the rest of your life suffers, and you
never get around to doing the work. And the work is what's important.
You have to dedicate yourself to the work. That will keep you sane.
You label yourself flaky and creative, and society lets you off the
hook a little. You're not expected to dress in a suit and tie and
show up 9 to 5. But in return, you have to produce. In producing,
you not only keep your half of the bargain with society, but you keep
yourself from going mad.
So make a commitment. Choose an artistic path and stay on it. That's
the best chance you have for happiness. Choose a relationship that
works for you -- don't expect it to give you ultimate happiness --
that's what your work is for. And if the devil greets you at the crossroads
and offers to tune your guitar, tell him no thanks, you can tune it
yourself.

There is a place
where men and women meet
It crashes against the pier,
It comes rumbling down the street.
It’s freezing in the headlights
It’s betting on the dice
It’s waiting at the hospital
Staying up all night
yeah, I saw you standing over there
but I didn’t know if I had enough in me to share
yeah, I saw you look my way
I didn’t know if I should stay.
there’s no mercy and no compromise
it takes all that you’ve reserved
it’s redemption and forgiveness
no matter what’s deserved
it’s a drunken misunderstanding
tears washing down your face
it’s choosing sides when you realize
that now you merit grace
yeah, I saw you walking to where I stood
and I guess there’s nothing I would change, even if I could
yeah, and I recognized the distance
from some other place
I don't know the Jackson Browne song, but I'll have to give
it a
listen so I know what it sounds like
I got a letter from another songwriter recently, a guy in
... what
band was it? ... damn, anyway, he wanted to take the line "walk
toward the light of what you want," and I was like, go for it!
I've written a lot of songs. I'm hoping to get back to playing
music,
actually, now that I'm a full-time writer and have a few spare
moments (for the longest time I was writing the column and also
manning the copy desk; that was kind of a burnout situation, from
which, in fact, i did burn out, ending up in the hospital with a
faux-heart attack!) ...
anyway, who could ask for anything more? (i got ... music ...)
cheers
ct